To focus on drama involving relationships with a drug dealer, work issues or daily life struggles rather than offering up explanations for what's going on would've been a much more suitable use of time. Granted, that makes for a genuinely authentic, lived-in universe, but not spending time on how it all came to be creates a somewhat offputting feel once the initial lockdown occurs and they're forced to race to a safe-house.
The whole idea of dropping people into this world of rampant drugs, strange stories about p[eople disappearing during blackouts, and growing resent with the status is all inferred from the characters and situation. The main factor dragging it down is a slow-burn pace in the first half to build up the premise which is done at the expense of introducing the horror elements at all during this section. That said, the film does have some slight issues.
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There's a rather creative idea here where some unconventional camera-work that offers a different take on how to do a creature confrontation that comes into play here which combines with the lone gore scene in the film to make for the positives on display. The extended scenes later on when they venture out into the dark to rescue their fallen friend provide some tense sequences which provide a great build to the finale where the true nature of the disappearances is revealed. The panic and confusion felt when the group has to race through the streets to reach a safe-house and find out that one of them is still outside is carried over into the scenes of everyone trying to come to terms with where they are and what to do next. That most of them are accompanied by a strange, eerie electronic buzzing noise coming from an undetermined source within the blackness is a fantastic ploy to ramp up the tension and unease throughout the sequence when married together alongside the backstory about the fates of victims who are caught outside. Given the way this enhances the darkness of the blackouts to the point of absolute black save for the light on camera-phones, the sense of isolation and genuine discomfort is easily achieved. On top of that, the horror scenes seen throughout here are quite fun. The aftermath of this all, involving the complete erasure from society and social media like they never existed, speaks rather pointedly about the real-life terror of being wiped from existence by totalitarian government or other such nefarious figures, enhancing the film even further. As this universe presents an idea of the city as a run-down sinkhole despite the technological progress mentioned around the country, the introduction of this strange event that causes anyone who gets caught up in ty to be affected regardless of their social stature is a rather novel idea. The world of rampant drug use and sketchy attitudes towards the imposed lockdowns relating to the strange blackouts that cause citizens to vanish unexpectedly is immersive enough to be quite chilling and terrifying throughout here. Among the best features is an engrossing setup the offers a fantastic premise for the supernatural horror to emerge. Generally, there's quite a lot to like about this one. There are enough light moments to keep this otherwise serious movie from being a turn off.In a near-future Manilla, several friends who doubt the stories about mysterious beings hiding in the darkness during city-wide blackouts are soon caught up in a terrifying struggle when a blackout occurs and they're forced to seek shelter in a designated safe-house that may not provide the help they need. They often disagree, but there is a mutual respect between them even if they don't show it. While Clint relies on his years of experience, she comes from the psychological side and what she's read in books. And last, but not least, Laura Dern was also very good as Clint's cohort in catching the bad guy. On the other side is Clint Eastwood as the tough law man who cares more about catching his criminal than making his bosses happy. I though TJ Lowther was also excellent as the boy and was very believable. So even though he's a criminal, he's got a good side and obviously his bad upbringing took him down the wrong path in life. Just as his character would start to win you over because of his positive interactions with the boy, he'd do something awful and remind you that he's really a bad guy and that he'd taken the boy hostage. Kevin Costner turned in one of his best performances. An average story made good by quality acting.
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